like night and day
She becomes an entirely different girl on that porch. No longer even the sleepy girl that brings the night with her wherever she goes, no longer young and naively sick over romance novels and newspaper clippings glued behind the bookshelves. Some of her still comes through, but in tiny bursts so quick and subtle, you’d think you imagined them; that if you took your eye off of her — any part of her — you’d miss it. As lithe and quiet as a single raindrop, as if it were the only one hitting the ground at that precise time, before just as softly it’s hidden to blend in with the rest. It’s not in the way she dresses - pink fuzzy socks tugged up above her ankles, a black button up with buttons confused, exposing a deep silver of her chest, the sleeves only tight on her wrists, slipping off of her shoulders before, as if an old habit, she would reach up and slide it back up to cover her skin.
She sat in her grandmother’s rocking chair, one knee pulled resting against the wooden arm rest, the other with toes pointed on the porch boards pushing off just enough to keep her moving. Fists clenched with fingers. Other than that, she wouldn’t move much. No longer the fluid, fleeting girl with too much to say, too much to listen to, too much to take in. Though you had better believe she still felt; still the girl with too much to feel, too much to listen to, too much to take in. The rain had grown so furiously that it turned the entire property just across the railing to a clouded haze, but her eyes remained on the dirt road where they had walked before. Raindrop signals. Her brow would furrow, creating a troubled indent above it, and just then, that one fragile little movement would set everything off. Then, you’d see it: a bold strike of colour dripping from within her first, the thick blood of the flower crumpled in her hold, trailing down the edge of her hand, sneaking beneath the washed black of her shirt, falling to the porch. Stains of plum. The damp discolouration of her socks, their soles muddy with rainwater and pebbles, small blades of grass.
The girl who buried her nights in her grandmother’s garden to introduce herself to the dawn, to mingle with the morning — so sad that she had kept it a stranger for so long. They knew nothing about one another. Never once had they talked, never once had she watched it, greeted it, walked with it. An entire life she had left behind, all inches of the world illuminated, drowsy eyes sensitive to the light. She knew the night so well, but it was the day who she had always slept with. It was the day who nourished her, gave her a break from the tireless fantasies, the troubles that weren’t hers, the things she’d wanted to do so desperately and those others that she didn’t… desperately. Flooded her body and drained the wine to just her lips, leaving it there, but hiding the rest (because it knew she loved the taste). It was the morning that held her, that took care of her, that let her sleep. The night was just as an introduction, a deep violet tease in her ear to wander, but the morning finished her.
Every weekend at her grandmother’s, she slept in that rocking chair. No one knew just when she had gotten herself up… if she had even fallen asleep, if she had even found the bed. You’d find her before noon with plum stains, muddied feet, and the morning on her cheeks, taking her, again, away from everything that the night stirred up within her.
Slept with her. Flooded her body. Held her. Took care of her, and let her sleep.





